Pedro Friedeberg, born in 1936, is a celebrated artist with a remarkable career spanning over sixty years. Known for his iconic Hand Chair, designed in 1962, his work encompasses intricate paintings, drawings, and sculptures that blend various influences, from Surrealism and Op Art to cultural iconographies ranging from Catholicism to Aztec symbols. Friedeberg began his studies in architecture but shifted to art under the mentorship of Mathias Goeritz. His work critiques cultural hierarchies, merging the fantastical with everyday objects. The current exhibition at the Consulate General of Mexico in New York features not only his furniture but also paintings that showcase detailed compositions influenced by his architectural background. These works reveal a renewed focus on detail, integrating pop culture, history, and complex visual systems. Friedeberg's art is based on a dream-like logic, where various elements suggest deeper meanings. His piece "En Tiempos de Raymundo Llull" explores historical journeys, cultural exchanges, and impossible architectures, reflecting the artist's extensive historical and cultural knowledge.

This exhibition was organized in collaboration with the Casa Mexicana de Arte; A company dedicated to promoting Mexican art and culture, working closely with established Mexican artists through production projects for exclusive editions and releases. It promotes Mexican art through the purchase, sale, production, editing, art exhibitions, and other related services. The company also fosters cultural promotion and ensures fair and secure trade, providing opportunities for national and international growth in Mexico's artistic sector.

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